Simon Hawkins

Simon Hawkins | Songwriter | Author

  • About
  • Books
  • Newsletter

How to build an Idea Bank?

November 15, 2021 by Simon Hawkins in Songwriting, Music, Books

The Idea Bank has been an essential tool for me over the years. It has allowed me to access all of my ideas wherever I am. It has also helped me turn up ready to serve my co-writers as best I can.

What is an Idea Bank? 

You can include many things in your Idea Bank — everything from lyrically or musical notes to your co-writer's publishing details. Or even the name of their dog! But having used this tool, using different versions and iterations over time, there are now five processes that each goes through. 

The five processes are: 

  • Captured — fresh ideas that I'm thinking could be turned into a song at some stage.

  • Writable — ideas mapped, using a Song Map or otherwise, giving some structure on how the fresh idea could be used when being written.

  • Organized — what, when, why, and who this writable idea could be used for writing.

  • Written — yes, actually creating a final draft song - this is when the music and the lyrics all come together, either written by myself or within a co-write.

  • Delivered — having signed off the final version that is recorded (even as a rough work tape on my iPhone to finished in a studio) and then sent to the publisher and included in the catalog.

As an idea is developed or written, they are updated from fresh ideas to completion (or delivered). This is captured in the 'status' column of my own Idea Bank. 

Steps of building an Idea Bank

In both of my Workbooks, I've set out more details on how to build an Idea Bank. But, if you've not seen this before, here's how to set up an Idea Bank just simply using a couple of spreadsheets. There are two main elements of this:

  1. Details about new fresh ideas, and

  2. Details about your co-writers.

There are four steps involved in building an Idea Bank.

Step 1. Prepare the idea spreadsheet

  1. In Row 1, Column 1, enter the title “Idea Bank” in bold

  2. In Row 3, enter the titles across the sheet as follows:

    • Reference number

    • Date

    • Title

    • Link to Lyrics

    • Link to Music

    • Song Map

    • Status

    • Cool Score

    • Genre

    • Structure

    • Tempo

    • Co-writers

    • Final shares

    • Notes

Step 2. Prepare the co-writers spreadsheet

  1. In Row 1, Column 1, enter the title “Co-writers” in bold

  2. In Row 3, enter the titles across the sheet as follows:

    • Name

    • Publisher details

    • PRO

    • Notes

Step 3. Enter your idea details

This is all about capturing all of the ideas, wherever they are lurking, whether lyrical or musical ideas – from half-written ideas on an old pad of paper to voicemails of music you've sent back to yourself. The trick is to capture all of your ideas because if it's not captured, it can't be there when you need them.

Step 4. Categorize your ideas

Once all of these ideas are captured, it's time to review these ideas and categorize them to give you a feel for how your very best ideas could be used. I used the Cool Score (OK, Cool, Very Cool, Brilliant) column as a way of highlighting the best ideas to the top of the list when looking for which should be written in a coming up co-write. 

The (Possible) Co-writer column is also something I'd use, especially when I'm planning a trip to Nashville, so that I've at least a few ideas that are likely to work for each co-writer, even if we end up writing something else. 

To set this up, here is a Google Sheets template https://tinyurl.com/Idea-Bank that you can copy/paste and use on your drive.

This is the simplest way of setting up your Idea Bank. There are alternative ways to do this – from simply having a long list of all of this on paper to using a database like FileMaker Pro or using something between these like Notion.

Questions

Here are a few questions: 

  • The key thing about an Idea Bank is that it keeps everything, everywhere with you. The brilliant thing about computers is their ability to search very quickly. That's why I love databases like FileMaker. If you haven't yet set up your own Idea Bank, what method would you prefer most - paper, spreadsheets, database, or other?

  • If this approach is too left-brained, how would you rather keep these ideas around when you need them most?

Hope this helps with your songwriting!

– Simon. 

www.simonhawkins.com

November 15, 2021 /Simon Hawkins
Songs, Organized
Songwriting, Music, Books
Comment

Highlights

December 12, 2020 by Simon Hawkins in Songwriting, Books

And another one…

Quotes from Organized (5).png
December 12, 2020 /Simon Hawkins
Organized
Songwriting, Books

Highlights

December 05, 2020 by Simon Hawkins in Songwriting, Books

Here’s another…

Quotes from Organized.png
December 05, 2020 /Simon Hawkins
Organized
Songwriting, Books
Comment

NEWS The Organized Songwriter JOURNAL

November 28, 2020 by Simon Hawkins in Songwriting, Books

But some people prefer paper. And that’s fine. That’s what this is: an analogue version of these things. Just because we use paper doesn’t stop us getting organized! The Organized Songwriter Journal.

Read More
November 28, 2020 /Simon Hawkins
Organized
Songwriting, Books

Everything Comes Through Practice

November 19, 2020 by Simon Hawkins in Books, Songwriting

A true story

When I left my corporate day job to be a full-time songwriter, I knew I needed to have a goal. Not a normal thing for songwriters, maybe, but I knew how to write a business plan, so I thought I ought to do that for this new career. I gave myself five years from leaving my day job as a high-flying investment banker to achieve my dream. If a major music publisher hadn’t signed me by then, I would go back to my old post again, if they’d have me. 


After a lot of work (with the help of Berklee Music et al.) I was signed by a Nashville publisher, Brentwood Benson, part of Sony Music (now part of Universal Music). I had achieved my goal! I was thrilled to be working in my dream field, and I got plenty of congratulations from my former day job colleagues. 


But there’s more to this story.


A call


Just after I was signed, I got a call from someone from my former corporate day job. This colleague had a friend of a friend (actually a friend of his daughter at school) who was trying to accomplish the same thing, but he was a lot younger than I was. Since I’d had done a similar thing and made it work, he wondered if I’d listen to a CD of his songs and give my honest feedback. Of course, I agreed right away — on my journey, I’d been given a lot of help from people along the way (for which I’m still hugely grateful), so I was only too happy to do the same.


A few days later, sure enough, I received a CD and a letter from the father of this young songwriter, asking for whatever help I could give. As promised, I gave it a listen.


This was his first CD, one that he’d recorded at the house of a friend who was keen to help, just like I would have done. The songs were… well, OK. They were never going to make it in the charts, but there were a few pointers I gave to help him on his way. He was still in his mid-teens and so still under pressure to do well in his exams at school. Plus, he didn’t have exactly the kind of look the charts would have been looking for: he was a young, chubby boy with messy ginger hair, wearing baggy jeans, a T-shirt, and a hoodie.


However, several things made him stand out from other musicians:


• He left school at the age of 16 to follow his songwriting work.


• He spent a lot of time gigging in London even though he didn’t have money to afford it. 


• He treated songwriting as his work, not a hobby.


• He realized he needed to be different from other artists.


• He spent as much time as he could to move his work forward. 


So, after I had given him whatever my suggestions were on his songs, his father kindly emailed me to say thank you for that. 
Now, can you guess the identity of this young up-and-comer?


Ed Sheeran


Despite the success he ended up achieving, at the time, I knew that when I heard that first CD, it was not great writing. And I knew that there was a lot of work needed to move from writing OK songs to top-charting songs. But that’s just what he did: he worked, and worked, and worked. Not just once a week but pretty much every hour, every day he could. Not just his craft, but he worked his network and his technology, as well.


And after more work than most people would even think about spending on songwriting, it paid off, big-time. 


As of October last year, Ed Sheeran was the 17th-highest-earning British musician, with a net worth of £160 million. From 2006 to 2019, he went from just OK to that kind of success.


By now, it should be clear that if you put enough time and energy into your songwriting work, it can turn into something special. So if you love your craft, like all things: never, ever give up on it.

Nurturing the spark


In his autobiography A Visual Journey, Ed said:


"I’m proof that people aren’t born with talent. If you listen to my early recordings, I can’t play the guitar and can’t really sing or write music very well either. It’s all come through practice; everything comes through practice. You start off with a little spark, and it’s whether or not you nurture that spark. You have to expand it and work on it."


Is Ed’s success due to me? Probably not. Even though I love to think it would have helped him along his way, but that’s not why I write books anyway. I write books about how to write songs because anyone on their journey is on the same journey as I am. I’ve been helped so much by other people on this journey; if I can help in any way, then it’s a privilege to be able to do that. We are all nurturing our spark, whether they are a glimmer or a flame. 


So, how can we nurture that spark, to turn our ideas into finished, cut songs? That’s what The Organized Songwriter is all about. And more.

November 19, 2020 /Simon Hawkins
Organized
Books, Songwriting
Comment

New book is coming 15 November 2020

October 18, 2020 by Simon Hawkins in Books

Looking forward to this! A book like this really should hit the deadline!!

October 18, 2020 /Simon Hawkins
Organized
Books

More design

October 12, 2020 by Simon Hawkins in Books

Very close to finishing the design of both the main book and a new Workbook too for 'The Organized Songwriter' book!

FREE sample from the main book here and subscribe to know when it’s launching soon!

S.

Organized Workbook Big Paper 3D w Back.png
October 12, 2020 /Simon Hawkins
Organized
Books
1 Comment