Simon Hawkins

Simon Hawkins | Songwriter | Author

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How to build an Idea Bank?

November 15, 2021 by Simon Hawkins in Songwriting, Music, Books

The Idea Bank has been an essential tool for me over the years. It has allowed me to access all of my ideas wherever I am. It has also helped me turn up ready to serve my co-writers as best I can.

What is an Idea Bank? 

You can include many things in your Idea Bank — everything from lyrically or musical notes to your co-writer's publishing details. Or even the name of their dog! But having used this tool, using different versions and iterations over time, there are now five processes that each goes through. 

The five processes are: 

  • Captured — fresh ideas that I'm thinking could be turned into a song at some stage.

  • Writable — ideas mapped, using a Song Map or otherwise, giving some structure on how the fresh idea could be used when being written.

  • Organized — what, when, why, and who this writable idea could be used for writing.

  • Written — yes, actually creating a final draft song - this is when the music and the lyrics all come together, either written by myself or within a co-write.

  • Delivered — having signed off the final version that is recorded (even as a rough work tape on my iPhone to finished in a studio) and then sent to the publisher and included in the catalog.

As an idea is developed or written, they are updated from fresh ideas to completion (or delivered). This is captured in the 'status' column of my own Idea Bank. 

Steps of building an Idea Bank

In both of my Workbooks, I've set out more details on how to build an Idea Bank. But, if you've not seen this before, here's how to set up an Idea Bank just simply using a couple of spreadsheets. There are two main elements of this:

  1. Details about new fresh ideas, and

  2. Details about your co-writers.

There are four steps involved in building an Idea Bank.

Step 1. Prepare the idea spreadsheet

  1. In Row 1, Column 1, enter the title “Idea Bank” in bold

  2. In Row 3, enter the titles across the sheet as follows:

    • Reference number

    • Date

    • Title

    • Link to Lyrics

    • Link to Music

    • Song Map

    • Status

    • Cool Score

    • Genre

    • Structure

    • Tempo

    • Co-writers

    • Final shares

    • Notes

Step 2. Prepare the co-writers spreadsheet

  1. In Row 1, Column 1, enter the title “Co-writers” in bold

  2. In Row 3, enter the titles across the sheet as follows:

    • Name

    • Publisher details

    • PRO

    • Notes

Step 3. Enter your idea details

This is all about capturing all of the ideas, wherever they are lurking, whether lyrical or musical ideas – from half-written ideas on an old pad of paper to voicemails of music you've sent back to yourself. The trick is to capture all of your ideas because if it's not captured, it can't be there when you need them.

Step 4. Categorize your ideas

Once all of these ideas are captured, it's time to review these ideas and categorize them to give you a feel for how your very best ideas could be used. I used the Cool Score (OK, Cool, Very Cool, Brilliant) column as a way of highlighting the best ideas to the top of the list when looking for which should be written in a coming up co-write. 

The (Possible) Co-writer column is also something I'd use, especially when I'm planning a trip to Nashville, so that I've at least a few ideas that are likely to work for each co-writer, even if we end up writing something else. 

To set this up, here is a Google Sheets template https://tinyurl.com/Idea-Bank that you can copy/paste and use on your drive.

This is the simplest way of setting up your Idea Bank. There are alternative ways to do this – from simply having a long list of all of this on paper to using a database like FileMaker Pro or using something between these like Notion.

Questions

Here are a few questions: 

  • The key thing about an Idea Bank is that it keeps everything, everywhere with you. The brilliant thing about computers is their ability to search very quickly. That's why I love databases like FileMaker. If you haven't yet set up your own Idea Bank, what method would you prefer most - paper, spreadsheets, database, or other?

  • If this approach is too left-brained, how would you rather keep these ideas around when you need them most?

Hope this helps with your songwriting!

– Simon. 

www.simonhawkins.com

November 15, 2021 /Simon Hawkins
Songs, Organized
Songwriting, Music, Books
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How long should my song be?

October 30, 2021 by Simon Hawkins in Songwriting, Music

This is all about timing, which is one of the most important tools for writing commercial songs.

Here’s a story

Twenty years ago, when I finally left my corporate job to become a full-time songwriter, I knew there was a lot of information I didn’t know about this beautiful craft. Especially for Christian music. It was not just about lyrics and music, but about what commercial songs needed to be crafted to be pitched by publishers and, ultimately, cut on artists’ albums. In particular,

How long should my songs be?

And this was one of my main questions. The best way to find out was to ask the pros, those who knew what the answer would be. So I jumped on a plane from Heathrow to Colorado and drove up into the mountains to Estes Park, where the GMA’s Music in the Rockies took place. And this week-long festival (now replaced by Immerse by GMA) was full of seminars, competitions, concerts, and everything related to Contemporary Christian Music (CCM), other genres, and the Christian music business industry. It was just what I needed. During the competitions, that’s where I found gold. Some judges would give feedback on my songs and, even better, let me listen to their input on EVERY song my songs were up against in the competition. Fantastic! One thing they would always say is this:

“Keep songs under 3:30 minutes.”

That’s right. And, looking at my copious notes, some judges said to keep it within 2:45 minutes. They also always used to say -

“Don’t bore us. Get to the chorus”.

And this is great, helpful feedback. But, after all these years, does this remain? Recently, several people have said that 2:45 is the new 3:30. But I needed some evidence.

The answer is out there

The best way to answer this question was to get out my old spreadsheets again and see the evidence on ‘paper.’ Albeit digital paper. It took a while, but after analyzing over 500 songs in different genres, here are the results: In terms of how long are the songs out there on the radio:

  • CCM – 3:33 minutes
  • Worship – 4:37 minutes
  • SOGO –3:36 minutes
  • My Church – 5:19 minutes
  • Pop – 3:12 minutes

Note that this is data analyzed using finished tracks rather than work tapes or demos. But I think it’s helpful to see them as final versions because they are commercially successful songs. There are exceptions, like one Dove award winner ‘Joyful’ by Dante Bowe that got played TWICE together on K-Love because it’s only 2:17 minutes long. Then there are others, like ‘Overwhelmed’ by Big Daddy Weave that run well over 5 minutes, like a few of their other tracks end up. So there we are.

What does this mean?

While these are averages (not about the songs, but in terms of length!), the split of songs is fascinating to me. See the attached chart:

With over 50% of K-Love songs still running 3:00-3:49 minutes, we can still ok to go and write that bridge. And, if we can push up the tempo to 150+ BPM and beyond, we might even be able to write a third verse!

Questions

Here are a few questions:

  • Do your favorite songs on the radio bear this up?
  • Are your co-writers looking to write shorter songs?
  • Are you wanting to write shorter songs?

Economy of our words has always been vital for us as songwriters. But, I’m thinking for my writing, economy of our music is also essential.

I hope this is helpful!

– SJLH

www.simonhawkins.com

October 30, 2021 /Simon Hawkins
Songs
Songwriting, Music
The Onion (1).png

How Big Is Your Onion?

June 20, 2020 by Simon Hawkins in Songwriting, Music

Many years ago, when I finally left my corporate day job to become a full-time songwriter, I realized a truth about myself: 

The more I knew, the more I knew how much I didn’t know.

It was fun but, to be honest, a little scarier than I was expecting. 

It’s a little like when I first started driving. I remember as a child, I used to watch my father driving, and he made it look easy. Safe and secure. But when I started driving myself, it wasn’t quite as simple as I thought. 

Well, being a full-time songwriter was also way more difficult than I thought. So, just like I needed a course of driving lessons, I had to go back to school to write songs. Berklee College of Music.

The Onion

Sure, before I left my day job, there were many years I’d already enjoyed: the incredible journey of harmony, melody, bass, and rhythm. This was one of the most beautiful journeys ever. But for me, there was another journey I needed to embark on - lyrics. And becoming a full-time songwriter, I had to figure out how to write lyrics. This was the onion.

Here’s what happened:

  • When I started on day 1 of my songwriting career, I thought I needed to learn the skills the size of an onion, one I thought I could hold in my hand. 

  • Right now, as I look at the size of the world of songwriting, it’s the size of a giant onion I can’t even get my arms around. And I continue to learn more things every time I co-write with my wonderful co-writing friends. 

To give you a feel of what it looks like, in terms of the world of onions, day 1 of my journey with Song Maps looked like this. And it’s still growing now:

Two+Onions.jpg

Even now, it’s humbling when I still realize how much I don’t know about my craft, but it’s lovely to still be on a journey. 

How can songwriting be like an onion?

Here’s what I’m thinking:

  1. There are many layers to learn how to write songs. Just when you feel like you’ve found the top layer, there’s another, more significant layer out there. Each book I consume or course I finish, there is still yet another layer that I needed to understand.

  2. Sometimes, when you get to the core of your writing, it can be a painful process to find out what you are writing about. Just like cutting up an onion.

  3. For me, songwriting has given my life so much greater richness. Imagine how bland life would be without songs! Imagine how bland life would be like without onions!!

Question

Here are a few questions: Where are you on your journey? How big is your onion? Is it still a bigger onion than you thought?

Berklee Music Online courses are generally 12 weeks. Just sayin’.

Simon Hawkins 

www.simonhawkins.com

June 20, 2020 /Simon Hawkins
Tools
Songwriting, Music
Nashville.png

Prayers

March 04, 2020 by Simon Hawkins in Music

Prayers for these people from England.

March 04, 2020 /Simon Hawkins
Prayers
Music
My favourite place.

My favourite place.

Harbour Worship Team

November 09, 2019 by Simon Hawkins in Music

I had several of the Harbour Church Worship Team come to my studio this week and we had a TOTAL BLAST!!!

I’m not yet able to say what we did, as soon as I can I’ll let you know. But what an amazing group of people to work with.

Thank you for making me part of the Harbour Worship Team.

Here’s to some more fun!

S.

November 09, 2019 /Simon Hawkins
Studio
Music
Comment
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Three Words

August 01, 2019 by Simon Hawkins in Music

When my brain started functioning after a stroke a few years ago, there were only three words I could remember (in this order):

  1. God

  2. Love

  3. Worship

And that helped me rewiring my life this way. And to get things sorted a lot quicker. The doctors called it a “spontaneous recovery”. I’d call it something else: an “unexpected miracle”.

As soon as my wife were able, she sweetly put a keyboard in my hospital room. And this was key to me on this journey: Focussing on God, finding His love and pass it on, spending as much time I can on Worship.

And now, being part of the Worship Team at our Church (Harbour Church), it’s now one of the most important parts of my life.

Using a Nord also helps too.

S.

August 01, 2019 /Simon Hawkins
Words
Music
Comment

Focus

July 25, 2019 by Simon Hawkins in Music

Well, tomorrow we’re going to HTB Focus!

https://focus.htb.org

Glamping, not camping. Only 5 things I need:

  • Sleeping bag

  • Shorts

  • Wellington boots

  • Rain coat

  • iPhone

Gonna be amazing.

S.

public.jpeg
July 25, 2019 /Simon Hawkins
Music
Comment
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